Undoing Medusa
Thomas Ballhausen (texto)
Elena Peytchinska (desenho)

having tea with these weird sisters
I dare not look at them
(do you)
their strange voices
not as luring as you-know-who
but this is a different story
a line of inquiry for some other time
especially
since I really suck at karaoke
two sugars please
I am bad at small talk too
just let the two of them do the chatting
flipping through their family album
almost prying
have a look, dear
representations should be fine, something like
steam-cleaned memories of
mum and dad and
of grandma, skin like earth
what do we have here, dear
siblings are a different topic
(of course)
have another cup, dear, do you like it
what a tragedy
good looks and careless gods
dash of milk, maybe
good looks and
piece of cake, dear
she is still making headlines
with Perseus on the run
hiding in fog and rain
but all they wanna do
is pin a medal on him
gods and heroes need victims, dear
sure, we all learned that years ago
this is the age of engines and reason
(a sad time
when we try to tame myths with grammar)
someone somewhere is starving
so, I unbutton my shirt and close my eyes
how very-20th-century of me
is a poet, philosopher, curator, lecturer and Head of the Interuniversity Organization Arts & Knowledges at the University Mozarteum Salzburg. His current artistic research interests include posthuman practice-based knowledge production, postdigital concretism and hybrid storytelling strategies. Their most recent publication, “Fiction Fiction” (2023; with Elena Peytchinska), addresses topics of spatial storytelling within language-based artistic research.
is a visual artist, performance designer, musician, researcher, and lecturer at the University of Applied Arts Vienna/Department of Stage and Film Design. Her current artistic research interests include posthuman practice-based knowledge production, postdigital concretism and hybrid storytelling strategies. Their most recent publication, “Fiction Fiction” (2023; with Thomas Ballhausen), addresses topics of spatial storytelling within language-based artistic research.
